Landmarkians attempting to reform Landmark...
Date: May 09, 2006 03:41AM
This is simply delightful, a Landmarkian quasi-reformer who, [i:856f07390a] quelle suprise [/i:856f07390a] manages to talk out of both sides of his mouth while thinking he's just sunk on in the 18th hole of truth:
"What is intended to redeem the practice is that over the weeks you are to
transmute the self-hyped excitemnt into genuine enthusiasm.. It's .. fake it and then...make it.
I've always been struck about how well it works. Some, such as you, seem better attuned than I to how well it does not work.
Where we agree I think is in desiring to find ways to shift toward greater
authenticity. I would compare this to, say, training in acting. A superb actor is being paradigmatically INauthentic in one way -- these are not his words, not his actions AT ALL --and yet there is something extremely authentic about superb acting. Anything we can do to move more people more quickly into THAT realm is precious.
It is my experience in seminars that the strong individual "voice" that goes
beyond the base conversation adds immensely. When everyone is submerged intothe "Landmark voice," as it were, things are indeed much inferior. On the other hand the person trying to be a strong individual voice AGAINST the base conversation detracts. Maybe it's like a musical ensemble. Without the strong individual "voice" the result is not much. But the instrument that pulls against the ensemble instead of pulling the ensemble up is destructive.."
Oh, ya gotta luv this line, "I would compare this to, say, training in acting."
No shit, Sherlock. The thing about acting that waaay ain't Landmarque is that 1., actors are paid to act and they know it isn't real... even the hardcore method actors know when to step out of role, ans 2, the actor IS using his role to [i:856f07390a]consciously[/i:856f07390a] to ground it in personal reality for emotionally communicative purposes, but they aren't trying to become the things they portray, I don't want the guy who plays a cardiac surgeon on TV to do my bypass for me, thank you very much, but I do admire his ability to convey the emotional realities of the job, kinda sorta....
so, how, exactly do we define "the instrument that pulls against the ensemble"... I mean, who's in charge of that defining process, what constitutes "the instrument that pulls against the ensemble" and how do you distinguish that from (barf) "authenticity".... what's the distinction ? Who owns the distinction ? Who runs the frame here ?
Oh, snif, snif... "Some, such as you, seem better attuned than I to how well it does not work."
Some ? Who is "some"... the "inauthentic" ones ? The ones who just don't get it, or is "some' those who get it all too well ?
But, thanks for sharing anyway Tom